How do the mini elements mise en scène and cinematography establish character types and introduce the audience towards the key topics of the film in the beginning sequence of Danny Boyle's 1996 film Trainspotting? Choose Life. Pick a job. Choose a career. Pick a family. Select a fucking big television, select washing machines, autos, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest home loan repayments. Choose a starter home. Choose your friends. Select leisurewear and matching luggage. Choose a three-piece suite on hire purchase in various fucking textiles. Choose DIY and thinking who the fuck you are on Weekend morning. Choose sitting on that sofa watching mind-numbing, spirit-crushing game shows, padding fucking unhealthy foods into your mouth area. Choose rotting away at the end of it all, pissing your last in a miserable home, just an distress to the selfish, fucked up brats you spawned to switch yourselves. Choose your future. Choose life... Yet why would I want to perform a thing that way? I chose to never choose life. I chose something' else. And the reasons? There are no reasons. Who requires reasons in case you have heroin? mise en picture decor, lightining, body language, activity, lighting, shade connotations. exactly what can be seen in a paused even now. cinematography framework, extra extended shot, long shot, method long taken, medium taken, medium close up, close up, extreme close up appear diegetic not diegetic contrapuntal resovoir puppies tarontino, pleonastic psycho hitchcock.